The game's intricate opening in Barcelona makes for a great time, and it's a shame that the title ends up devolving into inane madness where players are forced into brutal encounters across tough dungeons over and over again. Still, the Diablo -esque combat has its moments, and the novelty of the game's unique setting is riveting to this

Customizable dungeons, crafted areas, missions, even realms reserved specifically for the endgame would give players something to do when they want to grind after the story is over. Gamers like having a reason to log on after the credits roll and giving them more to do in the endgame is the way to do

Another option would be to artificially lower the usefulness of the market by limiting the number of items that a player could wear that were purchased on the Auction House. In Diablo 3 , players could trade for everything they needed, acquiring all their armor, weapons, rings and necklaces as well as gear for their followers without ever fighting a single demon. A limitation of two to three items worn at a time by players would force players to actually play the game, but also help provide an option to locate an elusive missing set piece or two.

The intention of the Auction House in Diablo 4 Dungeons 3 was positive in its inception, but its implementation was flawed and problematic. With careful planning, a second iteration could be a hit in the game - but only time will tell if Blizzard ventures into a second attempt, or if the failure of the first Auction House was simply too harsh to ever consider trying again.

Crafting in Diablo 3 is marginally useful while leveling, but at the endgame, serves virtually no purpose outside of a few recently buffed sets and the need to create items for use within Kanai's Cube. One way to bring back the Auction House would be to completely reimagine the concept from the ground up, such as not selling any weapons or gear at all, and instead, crafting components for the long-term construction of your own gear.

These are but a few ideas to consider, and while they may sound radical, Diablo 4 cannot possibly be made with the same model of Diablo 3 , or it too will offer little to players in the endgame and likely suffer the same abandonment as the current game.

The trailer from BlizzCon gave fans a superficial overview of what to expect, but all the key features appear intact. The newest form of the Druid will still commend elemental magic, though fire magic has not yet appeared, which would coincide with it remaining the exclusive domain of the Sorcer

Removing the option for real money purchases should be obvious, as that is far too close to pay-to-win and would feel too similar to the misstep of Ghost Recon: Breakpoint . Integrating an Auction House into the next Diablo game should instead use only in-game currency -and what's more, it's time to move beyond gold as the only currency.

Diablo 4 is rumoured to be making its first formal appearance at BlizzCon 2019 in less than two weeks. While we can expect plenty of demon slaying and looting of legendary gear, now is the perfect time to discuss how Blizzard could bring back the Auction House. In Diablo 3 , the failings of the Auction House were apparent from its launch and may have doomed the game from reaching its true potential - attempting to implement it a second time would require a vastly different design philosophy.

The Skill mechanics have been a controversial subject for fans. On the one hand players like the Diablo 2 skill tree that has players focusing on different skills for unique builds to complement their style of play. On the other hand players like that Diablo 3 took the pressure of planning builds, removed the risk of creating broken characters, and having to restart if you want to try a different skill

One would think that the existence of Diablo Immortal (and those other Blizzard mobile games ) will allow Diablo 4 to have a more straightforward business model. After all, removing any predatory steps is more likely to build player trust, and long-term that kind of trust is what games need to bring in new fans after an honest gaming experie

Similar to Diablo 4 , Chaosbane works brilliantly on PC and consoles, with both sides bringing different positives and strengths to the table. The game's grimdark aesthetic is also very similar to Blizzard's franchise, and Chaosbane 's thrilling boss fights would not feel out of place in a Diablo proj

As well as this, Blizzard should also keep the heroes of the old games in mind. A new roster of playable characters would be great, but the potential to unlock the likes of the Necromancer in-game would add a new way to keep players engaged, perhaps by completing specific criteria like in Super Smash Bros. such as a certain number of hours playing or beating the game on specific difficulty lev

The Witcher series is one of the best examples of dark fantasy. The series has won praise from critics and fans for handling darker topics and for showing the consequences of player actions, some of which aren't immediately apparent but come into play in later games. The Witcher series has several recurring themes, such as destiny, gender equality, and racial discriminat